“Travel is the distance we need from ourselves
to see the world anew.”
Thomas Paquette
Painting is a pleasure I haven’t earned
and don’t deserve. It takes my middle class
conventional rebellion and splats it on the canvas
with a myriad of inappropriate brushes and brush
strokes. Mutiny continues with a saturation of
robust and vibrant- in your face- colors. The
figurative subjects encompass the outsized canvas.
Decorative women dancing or eating chocolate,
an analogy for nothing, except communicating living.
Who are these women? Me, myself and who I wish
to be. These women are my eighty something, forever
young mother and my one and only daughter. The
two women I love deeply.
I travel to find the distance between myself and
the world. Sometimes this requires a plane ticket,
sometimes a changed point of view, much more costly
than the ticket. My paintings are the consequence
of both of these journeys. I defy the conventions
of portability, in Australia or in my garden;
my canvases are framed by 40 x 60 inches of pine
wood. This impracticality stems from being told
it can’t be done - one too many times.
I don’t do small pencil sketches –
no patience – I am anxious to see where
the brush will take me traveling from my mind
to the canvas. I am always amazed to find where
the passage has taken me. I don’t do oils
– no patience – I am anxious to finish
– acrylics serve my style and the freedom
to move quickly and dance with the colors without
getting my toes muddy. But, at times, I meander
through the colors and find an intimate journey
within the shapes so much like when I wander on
the beach finding pebbles miles from my point
of origin. Then the anxiety to finish is relative
to the pleasure of the experience of the journey.
I have been told it takes courage to buy my art.
That makes me proud to know I sell to courageous
souls.
“A number 5 sable brush, a tube of paint
and a dream can take you anywhere?”
"Decoration as such is not too highly esteemed
in contemporary art. We tend to forget that a
picture may at the time be decorative and have
communicating power."
-From the essay by Daniel Cotton Rich accompanying
G.O'Keefe's exhibition at the Worchester Art Museum.
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