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Bathsheba Veghte :: USA
printmaker


My work explores the unconscious emergence and evolution of images. I have never consciously set out to paint, print or draw a particular subject and have never worked from models or other references. Rather, I let an image develop on its own and work into it enabling it to become more accessible to the eye. I repeatedly layer and remove my medium, following a small brush stroke or gesture of paint and then extrapolate from it.

I place my trust in something intuitive and unconscious believing that the resulting forms and colors have a strength and merit of their own. I like to offer a glimpse of something “other”, an image that is not emphatically stated but nuanced and suggestive and draws one in.

I do not believe in accidents. I start with an unintended goal and my method allows direct access to the unconscious. Here I am offering a glimpse of something “other”, an image that is not emphatically stated but nuanced and suggestive and draws one in. What we can’t see is just as important and viable as what we can and I try to stay open to those images, feelings and responses that are unfamiliar, sometimes uncomfortable, but always fascinating.

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Gallery Comment:
The work of Bathsheba Veghte is provacative and at times unsettling,
achieving that which goes beyond realistic interpretation.

The choice of animals is significant and allows the artist to portray a being with a spirit, a soul, lost in time and space. The monkey images especially. The viewer is compelled to search for and recognize that which is not monkey, that which keeps the works from being simply nature representations. More than portraits, they come closer to the human element, maybe with some mutation.The effect is not necessarily weird nor bizarre, but has been effectively incorporated as an organized tension. The scumbling technique and use of darks and blacks add to the overall impact.

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